Herzog Museu Blau Plan Drawing
Forum Edifice
Barcelona, Spain
The Forum Building (Catalan: Edifici Fòrum, IPA: [əðiˈfisi ˈfɔɾum]; Spanish: Edificio Fórum), also known as Museu Blau de les Ciències Naturals, is an architectural landmark in Barcelona designed by the Swiss architects Jacques Herzog and Pierre de Meuron (Herzog & de Meuron),.
The edifice is triangular in shape, measuring 180 metres on each side and 25 metres in height, located within the triangle formed by Diagonal Avenue, Rambla de Prim and the Ronda Litoral.
It was the symbol of the controversial 2004 Universal Forum of Cultures and the serious flaws that arose during its structure were widely covered in both the Spanish national and foreign press. The edifice has become a political bone of contention, with the opposition parties in both Barcelona Quango and the Parliament of Catalonia demanding to know why it toll so much (of the order of United states $144 m).
The building has an auditorium with a seating capacity of 3,200 and an exhibition hall covering near 5,000 foursquare metros.
Architects' words
When we started in January 2001 with the design for the building to house the Barcelona Forum 2004, the site was a so-chosen "terrain vague", urbanistically speaking a "no-man'southward land", with industrial installations, a rest water handling plant and a petrol station. While it had some elements of exterior blueprint, such as a sculpture that functioned as a fountain and a small park, in that location was withal a lot of open up, vacant land. According to the established schedule, in a catamenia of three years, this entire area was to become part of the architecturally organized and well-divers city. The aim was to convert the chosen zone into the most important and pregnant commune of 21st century Barcelona.
The site is located at the very end of the Avenida Diagonal, where it meets the Mediterranean coast and connects to a newly created gigantic bogus platform, spanning over the Ronda Litoral.
Barcelona is a European city that through its history, climate and the customs of its inhabitants, is predestined to brand use of its exterior infinite, according to its respective configuration, every bit a living urban location of its social interrelations. For this reason, nosotros decided instead of planning the building as an independent object within an open space, we would propose a edifice that generates and structures this open up infinite.
To allow for the maximum combination of functions, maximum flexibility and spatial interaction, nosotros also decided that the program, such as the auditorium with iii,200 seats, large exhibition areas, foyer spaces, small administration areas and the eatery should be organized horizontally.
With these ideas, the elevated flat triangular body emerged most spontaneously, because it maximizes the possible footprint by forming an extensive comprehend for the plaza and perfectly expresses the specific situation of the land it occupies betwixt the branches of the correct-angled Cerda Grid and the Avenida Diagonal.
The open public space that emerges under the triangular torso is thought every bit a hybrid infinite, a mixture of several urban typologies. A series of courtyards that cutting through the elevated volume as well as the artificial platform institute multiple relations between the street level and the other levels of the edifice, while e'er permitting new angles of vision and a changing play of lite. The shape of these courtyards derived once more from the juxtaposition of the two directions of the grid of Cerda and the cut of the Diagonal.
In society to generate and maintain vitality and interrelation, boosted program units are included, such as an open market space with a large fountain, a place for relaxation and meditation around a dripping water courtyard, a small intimate chapel, a bar, a kiosk and other uncomplicated facilities that complement the conference and exhibition eye. The buildings satisfy the needs of all social levels: for tourists and the citizens of the metropolis; for culture enthusiasts and conference attendees; for immature people and older people.
The interiors of the auditorium and the exhibition are designed every bit hybrid spaces, not simply blurring the boundaries between exterior and interior, only which also easily conform to the constantly changing program. The auditorium is neither a bare briefing center nor a philharmonic music hall; the exhibition surface area is neither a predictable convention centre nor a classical museum space. The temper of these spaces volition change with the program and the building will redefine itself appropriately.
The conception of a building with a coupling of interior and exterior space, equally well as the flexibility of the program responds to the need for social durability from the collective indicate of view. The outcome is a edifice that is topography.
- Architect'south website
- Wikipedia
All our texts and many of our images appear under the Creative Eatables Attribution Share-Akin License (CC By-SA). All our content is written and edited by our community.
Source: https://architectuul.com/architecture/forum-building
0 Response to "Herzog Museu Blau Plan Drawing"
Post a Comment